I had originally intended to include the
Karl Kesel and Mike Parobeck magazine origin on the site because in it:
1 - although Krypton had the Byrne look and feel visually;
Jor-El and Lara were shown as physically vibrant and alive; and as actually capable of feeling and displaying real emotions like love, sorrow, loss and hope - all qualities that Byrne had removed from them and from Krypton in general.
2 - Kesel and Parobeck soft-pedaled the "not born-on-Krypton", test-tube aspect. Although it is not outright denied; it is also not explicitly stated - kind of just danced around. I felt like they were trying to get away with whatever they could, but were forced to do so within clearly defined restrictions. They were pushing at the boundaries.
I absolutely agree,
Jeph Loeb deserves a
lot of credit - he did incredibly fantastic work.
I've been a bit out of the loop for the last 15 years or so; but in returning to comics, I keep coming across references to Silver and Bronze age continuities in the books. I'm wondering if this is a recent development for DC or if it has been going on for a while:
There was a
Jimmy Olsen story ("The Gorilla Ex-Wife of Jimmy Olsen") in this summer's
DC's Kal-El-fornia Love that states right in a narration box that it is a sequel to "
Superman's Pal, Jimmy Olsen #98, 1966!" That was fun to see.
The new
Supergirl series has a lot of references to the original Cary Bates early 1970s title, and reads almost like it could be a direct sequel to it. Right in the first issue, Supergirl uses her "yellow ring of Nor-Kann" to retain her powers while in Kandor; she got this ring and first used it in an early 1972 issue of
Supergirl by Cary Bates.
The portrayal of the Kryptonian Language in the main
Superman books is no longer that now-famous angular, almost
crystalline looking character-set that has been used in every DC comic and TV show of the last 25 years; but has reverted to the
E. Nelson Bridwell 1970s
squiggles of "Kryptonese" and is now actually called "Kryptonese" again. (I hope to have examples online)
I don't know whether all this is the result of some sort of intentional and official policy of a new, clearly defined DC continuity; or if it's more that the people now running things at DC just don't have any interest in bothering with continuity restrictions anymore, or are possibly even completely unaware that there was once a time when it was a concern for anyone. So the creators are now free to write and draw whatever it is that they enjoy, completely ignorant that this is a wondrous, new-found and incredible freedom.
Could be both?
