Re: gimmick titles. It's a tribute to the professionalism and creativity of the early DC teams (Fox, et al) that JLA managed at the very least to transcend its gimmickry.
Well...I dispute that, because as said above in greater depth, I've never thought much of the Fox JLA, in my view one of the weakest of DC's Silver Age books despite its popularity.
But I certainly agree that Len Wein, Steve Englehart, and others were able to tell amazing tales. But my point here is this: the guys that did JLA best were the ones that told non-Foxlike tales. Which brings me to my next point.
To use a movie analogy, I think of the JLA like those old disaster epics, say "The Poseidon Adventure" or "Towering Inferno." As a reader/viewer, you're wowed by the threat itself and along the way you're impressed by who shows up ("Look, there's Steve McQueen! And Charlton Heston! Hey, it's Fred Astaire!") It doesn't really matter whether Gene Hackman has a meaningful, revealing or insightful character scene with Shelley Winters, the point is all the big names showed up, and they're all working toward the same goal.
I agree. Those sub-plots (for want of a lesser term) were embarrassingly bad. I didn't like those comics the first time around, but I can't even read them now.
People keep on saying that in slightly different ways all through this thread, but I just don't understand the point. JLA was a weak comic and concept when it was plot-centered, and only when it became character-centered and "Marvel-style" did it really work.
We've mentioned Len Wein and Englehart, but I don't think enough has been said about the guy that followed Fox, Denny O'Neil. But Denny O'Neil was absolutely at his worst when following the League "formula" of plot centered tales with a large threat (e.g. nonsense like the "living suns," which would make sense in a 1940s issue of MARVEL FAMILY, but NOT ostensibly in JLA), and at his best when he was focusing on character: for instance, Black Canary moving to Earth-1 with the death of her husband, Red Tornado trying to fit in, and the lesser-powered members of the JLA arguing with the higher powered members over the League's approach to less than serious breaches of the law.
And it's not like "big budget, disaster movie" League stories are incompatible with characterization: Englehart in his very first story featured a secret conspiracy billions of years old ("NO MAN ESCAPES THE MANHUNTERS!") and ended his story in a battle that "engulfed half the galaxy" (!) but it was all dependent on characterizations like the Privateer discovering he was used by the Manhunters and his worldview ceasing to make sense, and Hal Jordan's guilt and sense of responsibility when he discovered he was "responsible" for the destruction of an entire planet.
I think maybe the problem lies more not that JLA doesn't work as an idea as much as maybe it doesn't work as a monthly book. At least not as it has traditionally been structured since you are left with the colossal task of coming up with threats that require a whole team of that level of power to fight.
I don't know if I agree with that. For one thing, Legion of Super-Heroes was able to do the very thing you're describing - battle these colossal, galaxy-shaking menaces, and they did so on a regular basis. And they were able to squeeze in all sorts of character bits too, though in all fairness, unlike the JLA, none of the Legion members have their own title.
Maybe the reason Legion works and JLA doesn't is because the Legion has all the galaxy and outer space to work with.
Also, JLA doesn't necessarily have to oppose monstrously huge odds. My favorite issue of the Englehart JLA was #149, which featured no world-cracking menace, but had Doctor Light playing cat-and-mouse with the Leaguers.
There is also issues with character since you have members with their own books whose character stuff you don't want to step on.
This is what I was telling Nightwing: JLA's most interesting members, who were given the most to do, were the characters that didn't have other books.
Making a team of second stringers doesn't help either since it stinks the wind out of the whole concept.
I think we need a concise definition of what constitutes a second stringer, because none of the members of the Satellite League fall into that definition. I would be happy as a clam with a League roster made up of Elongated Man, Red Tornado, Black Canary, Green Arrow, Zatanna, and the Hawks.
(Okay, sure, there's Firestorm, whom Telle called his least favorite character ever and I can't help but agree. Another "triumph" for Gerry Conway.)
This is why I thought the way Timm and Co. went with JLU made alot of sense to me. I think this could even work for the comics. Every hero who is worth a darn are members. You can follow different sets of characters on different missions, playing up their interactions while also having a greater plot that affects all the DC heroes. This could be the centerpiece DC book and one stop shopping for seeing team-ups.
Hmmm, you might be on to something here.
I loved the team-up between Green Arrow and Captain Atom. They really "fused." What a wonderful "reaction." Ha ha ha.
But now part of this would prolly mean nixing the JSA. Personally I think having them both in the same universe is just totally redundant so I would have no problem with that but I know the JSA name means alot to alot of people so for the comics that would likely be a tougher sell. Too bad there's no Earth 2.
I don't know if that's true. One of Geoff Johns's greatest accomplishments is the creation of a very unique JSA identity that doesn't overlap with the JLA - they have different members, different villains, different kinds of stories, and a whole different way of looking at themselves.
They were still funny. I am amaze that once DC got a hold of him they got rid of the dark stuff, heck even during the Iron Age, they refuse to put it back in!
As much as I admire Martin Pasko, the big problem with his 70s-80s Plastic Man tales was that he tried to be lighthearted, and wasn't truly successful in capturing the tone of the original series. He "Archified" Plas, made him more brightly colored, and toned down the squirmy trippiness.
And the big problem with Plas circa the 1990s on - apart from Grant Morrison's weird obsession with him, is that the basic concept of Plas is that he is the straight man to a surreal world, not unlike Pee Wee Herman in Tim Burton's PEE WEE'S BIG ADVENTURE. Plastic Man's "Jim Carrey on coke" characterization from the 1990s on was so unbelievably annoying that he actually made me get nostalgic for "Snapper" Carr.
Plus, Elongated Man would have been the better choice. I'm just saying is all.