Wow. I just read this thread for the first time, having avoided it all week because of the misleading title. Superman and his relation to fascism is one of my favorite topics.
Kateacular, you have been given a tough topic --to say either way whether Superman is a fascist concept or not. I wonder what your own definition of fascism is?
To me, both Superman and fascism are subjects that are not so easy to rule on definitively. Questions like "Is such and such political movement or person fascist?" are always going to be hard. I think that Gangbuster Thorul is on the right track in attempting to list major aspects of fascism and try to play match-game.
There are almost as many definitions of fascism as there are people, in my experience. Some of the more helpful writings on the subject can be found on the left (Trotsky's anti-fascist writings, like "Fascism: What it is and How to Fight It") and on the right (Mussolini's early writings, like "What is Fascism?").
The word has been abused since at least the 60s to the point where now even kids in grade school use it to describe any authority figure, but I think with a bit of digging you will be able to come to some sort of idea about what it means to call an individual a fascist. For me, it is also helpful to separate fascism as a philosophy from an actual system of government.
While I sometimes fall into the trap of labelling all forms of extreme authoritarianism and state-sponsored violence "fascism," it is more useful to think of it as an ideology that combines several aspects of conservative religiosity, anti-left politics, anti-democratic politics, nationalism, anti-modernism, terrorism/vigilantism, and belief in war, hierarchies, inequality, the triumph of the will, and capitalism.
Certainly some aspects of Superman's character and mythos before 1950 fit some of these criteria.
To take Gangbuster's list:
1. Nationalism: purportedly a citizen of the world, Superman kept the interests of the USA first and foremost
2. Disdain for the Recognition of Human Rights : if these include the right to life and liberty, privacy and due process, Superman in many pre-50 stories disregards these rights (eavesdropping, break and enter, dropping people in volcanoes,
3. Identification of Enemies/Scapegoats as a Unifying Cause: in most romantic or mythic stories, the villain is the alien "Other" --in Superman comics post-WWII the structure is subtly different --with a never ending fight against evil (usually personified in super-villains) being his "other" or cause
4. Supremacy of the Military:in many ways Superman IS the military --might makes right
5. Rampant Sexism: in many stories, his attitudes are clearly sexist, or at least uninformed by feminism --from his condescending torment/training of Lois to his later (post-1950) treatment of Supergirl
6. Controlled Mass Media:I can't think of any stories in which he advocated anything but freedom of the press --so he may be off the hook, although in later years he once or twice interrupted all planetary broadcasts
7. Obsession with National Security: post WWII he waged a battle against "agents of a foreign power" in many stories
8. Religion and Government are Intertwined: a toughie: except for an implied "in god we trust" Americanism, Superman seemed beyond this.
9. Corporate Power is Protected: Superman is a self-appointed protector of private & government property, including banks and buildings
10. Labor Power is Suppressed: there are 2 later stories I'm aware of that treat labor action seriously but Superman doesn't really interfere:
"Clark Kent, Gangster" (1966) --A strike at the Daily Planet gives Clark Kent some time off to try out some new identities
"The Human Octopus" (Jimmy Olsen #41, December 1959) --attempt to unionize the Planet
Far more interesting to me is the way in which the actions of Superman preclude any attempt of organized labor to help itself or solve it's own problems. We have discussed this in other threads:
Superman and the NaziWorking Class HeroesAs Ariel Dorfman writes in The Empire's Old Clothes, "the superhero's triumph is based on the omission of the working class, the elimination of a community or collective which could transform the crisis and give it a meaning or new direction."
Lastly, the best treatment of what a truly fascist Superman would really be like is in Elliot Maggin's novel Miracle Monday. Pa Kent has a nightmare of Superboy taking over the world that is harrowing. Written around 1980, so long past 1950.
Hope this helps with your homework!