I think the selection of comics will continue to be partly good, partly crap. Just buy the best ones...money talks. Well, sometimes.
This is precisely the very thing that makes me think that we're coming out of the dark times.
If you think about it, this was always true, wasn't it? There were always lousy writers. Marv Wolfman did his best work to titles other than Superman. But nonetheless, his stories were interesting because he was made to write stories about SUPERMAN, and made them Superman stories, having the main character continue to behave as he was characterized as behaving.
Is the reason we're all so jazzed about A-S-S is because it features a return of a confident, fearless characterization to Superman....or because it actually is fantastic? Morrison is at best, an alright writer. But the reason A-S-S feels much more magnificent because it is Superman just written correctly.
It's not just all about talent. Talent can come and go, but was is important is, with INFINITE CRISIS, and with BIRTHRIGHT, a straightforward, correct vision of the character and his world has been created that future writers have to abide by. A vision created by people that understand who the character is. It isn't so much that Busiek and Geoff Johns are coming to write Superman; it's that they're setting the ground floor on how the character is to be written for the next 10 years.
There are positive signs- a new movie, Smallville is good this year, JLU is one of the best shows on television. Krypto has a show, and there are several good comics on the market. "It's Superman" is a bestselling novel, and the Adventures of Superman is a bestselling TV Show. Bottom line...Superman is popular again, and there are avenues to express your capitalist pig support for him.
It's unfortunate that this sort of success is seldom mirrored in the comics. When the X-MEN movie was released, the Marvel offices put Chuck Austen, that boil on the behind of the industry, on an X-Book.
Busiek is excelent but is more of a marvel guy than a DC Silver Age guy.
While I love Gardner Fox and John Broome and their talents are a credit to everyone involved, DC only REALLY started getting absolutely terrific when the Marvel people started coming over. When Steve Englehart did BATMAN and JUSTICE LEAGUE, Steve Gerber did possibly one of the greatest comics of the 1970s with his METAL MEN run, Roy Thomas started doing ALL-STAR SQUADRON and really, everything else at one time or another. Gerry Conway was alright, however, his JLA had more high points than low ones.
I admit to some slight bias as I am primarily a fan of Marvel Comics (with the exception of Superman, of course) but the perspective that these writers brought when they came to DC: taking the characters seriously and with reverence, giving them witty, streetwise dialogue, bestowing their personalities with idiosyncrasies and humor, and tying their history together and created connections based on previous stories...it was magnificent to watch.
And like Nightwing, Id rather spend my $ on Showcase editions.
You've got a point there. SHOWCASE and ARCHIVE Editions are pretty awesome, aren't they?