I picked up a Punisher comic book not so long ago and was astonished to find that he is still described as a Viet Nam War veteran. He must be getting on a bit; I thought by now they would have had to upgrade him to the first Gulf War at least.
Ahhh, yes. Well, one of the great strengths of a mostly consistent continuity is that there are no real "problems," only inventive solutions waiting to be revealed. The guy that did the Marvel Appendix pointed out a possible solution on the ten year sliding scale, which has Thor, Flash Thompson, and Buzz Baxter going to Vietnam: on Marvel-Earth, there was a SECOND Vietnam War, 8-10 years ago.
I *DO* regret that Ben and Reed are no longer World War II veterans. It wasn't just a fun little detail; it was something that characterized them wonderfully as being men of that generation, and also as the source of the wonderful cameraderie that those two have.
The main problem with Superboy is this: if Clark/Kal has already been Superboy for several years, it makes the first appearance of Superman very un-dramatic. "Oh, so he's grown up and calls himself 'Superman' now. OK, whatever." It should be "Wow! Who's this flying guy with the cape?"
It generally isn't wise to eliminate possible stories just to make one specific moment possible. Many writers have characters die off permanently for the sake of a single moment, which is shortsighted because it closes the door to any future stories that can be told with said characters. But the fact that if the Superboy chapter were closed, would ADD to the power of that specific Superman moment, all the better. I don't know about you, but I had my heart in my throat when Superman revealed himself in BIRTHRIGHT.
Great Rao, you wrote that writer's guide we're talking about. I'm wondering what your thoughts are on this.