CREDITS
Story and Script by Jerry Siegel
Pages in yellow
are new contemporary artwork.
Pages in grey are either restored or reconstructed from the original 1940 Shuster Studio artwork. For a detailed breakdown of which 1940 artists worked on which 1940 pages, see the original artwork credits page.
Page |
Original 1940 Art Provided by |
Story & Script |
Layout |
Pencils |
Inks & Finishes |
Color
|
Prologue |
n/a |
Bob Rivard |
Angel Criado |
Angel Criado |
Bob Rivard |
Sarge |
Cover [*] |
n/a |
Angel Criado |
Criado & Rivard |
Angel Criado |
Bob Rivard |
Sarge |
Page 1 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Angel Criado |
Sarge |
Page 2 [*] |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Bob Rivard |
Sarge |
Page 3 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Rivard & Criado |
Sarge |
Page 4 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Rivard & Criado |
Sarge |
Page 5 |
Alter Ego |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Bob Rivard |
Sarge |
Page 6 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Rivard & Criado |
Sarge |
Page 7
|
Thomas Andrae |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Bob Rivard |
Sarge |
Page 8
|
Steranko |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shane Foley
|
Sarge
|
Page 9 |
Alter Ego |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shane Foley |
Sarge |
Page 10 |
n/a |
Jerry Siegel |
Criado & Foley |
Criado & Foley |
Shane Foley |
Sarge |
Page 11 |
Alter Ego |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Bob Rivard |
Sarge |
Page 12
|
Thomas Andrae |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shuster Studio & Criado |
Sarge |
Page 13 |
Alter Ego |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shane Foley |
Sarge |
Page 14 |
n/a |
Jerry Siegel |
Criado & Foley |
Criado & Foley |
Shane Foley |
Sarge |
Page 15 |
Steranko |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shane Foley |
Sarge |
Page 16 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Angel Criado |
Sarge |
Page 17 |
Richard Donnelly |
Jerry Siegel |
Shane Foley |
Shane Foley |
Shane Foley |
Sarge |
Page 18 |
n/a |
Jerry Siegel |
Shane Foley |
Shane Foley |
Shane Foley |
Sarge |
Page 19 |
n/a |
Jerry Siegel |
Shane Foley |
Shane Foley |
Shane Foley |
Sarge |
Page 20 |
Peter Jones |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Shuster Studio |
Sarge |
Page 21 |
Steranko |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Costin Stefan |
Reiner55 |
Page 22 |
Jonathan Nathan |
Jerry Siegel |
Jon Bogdanove |
Jon Bogdanove |
Jon Bogdanove |
Sarge |
Page 23 |
Steranko |
Jerry Siegel |
Shuster Studio |
Shuster Studio |
Costin Stefan |
Reiner55 |
Page 24 |
n/a |
Jerry Siegel |
Jon Bogdanove |
Jon Bogdanove |
Jon Bogdanove |
Sarge |
Page 25 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Angel Criado |
Sarge |
Page 26 |
n/a |
Jerry Siegel |
Angel Criado |
Angel Criado |
Angel Criado |
Sarge |
Page 27 |
n/a |
Angel Criado |
Angel Criado |
Angel Criado |
Angel Criado |
Criado |
Page 17 and Page 22:
The 1940 artwork contributor is listed in white because
for these pages, the Shuster Studio artwork was discovered
after our own version of the page had been created; the original artwork
was not consulted, known, or referred to in our version.
In these cases, the reader can enjoy two different interpretations
of the same page.
|
Lettering, edits, post-production, and
K-Metal font
by Audrey Gale
|
The Original Artwork:
"As near as I can tell, one artist would lay out the page, usually either Paul Cassidy or Wayne Boring, sometimes Shuster,
then another would clean it up and the inking would often be split between the main figures
and the backgrounds. Then on the next page, everybody would switch. The end result
was usually a mess." more info at Bob's site
"Page 12 looks like Wayne Boring, I'm not sure who his assistants were. The people
around the shop at this time included Paul Cassidy and Wayne Boring who were doing most of the pencilling,
John Sikela, Don Kamisarow, maybe Ed Dobrotka and Leo Nowak. Leo claimed to have worked
on this story, so he has to be considered. I think I notice some of his inking on the Superman figures."
-
Bob Hughes, who, at the time of this project, was working on a
more detailed breakdown and analysis that he was unable to complete before his passing in 2012.
|